You can have these loud spectacles and things going on, but Walton’s performance was creeping up under my skin. That was the first day of shooting and the first scene. One of my favorite scenes was when were in the tent. VIKANDER: Sometimes that is the same one. What was your favorite scene to shoot, and which was the most difficult? We realized that, very early on, and it was something that gave me a lot of energy, throughout the shoot. To make a film like this, it’s the kind of film that I look up to in this genre, when you’re able to mix the big spectacle with heart and find something that is grounded, and make an artful, interesting story commercial and big and loud, as it should be. I’ve done a lot of what are considered art house films. When we walked around these sets, we were jumping. To make these big studio adventure films, which I’ve loved since I was a kid, is daunting. We met up in the mornings and we worked on the script. I was almost like, “Just don’t look! Can everyone just turn away? I’m gonna do this in front of the camera whilst no eyes are on me.” That was scary. For me to try to pretend that I can do an MMA fight, or go up in a ring, it was really daunting to do that in front of people. I had never taken on a character in a film like this. Physically, it was something completely different. VIKANDER: There’s so many different answers to that. At the beginning of it, was there something you thought was particularly daunting and you weren’t sure if you could pull it off, and how did you push through that? It was just tough.Ĭlearly, this role took a lot of mental and physical commitment. We had an incredible stunt team that made sure that everything was safe. VIKANDER: I’m actually covering up because you can see that I still have little wounds on my legs, but no real injuries. Were there any injuries, during this shoot? It feels different to be on a set, but then you do have rehearsal time there, too, so that you feel comfortable by the time you start shooting. And then, you take the next step and go to a set that might not be completely done yet and you start to actually practice in there. Even when it hopefully looks gritty and dirty, by the end, it is choreography. VIKANDER: You normally start in a room and you just have mats.
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